Violin

Kristina Pathammavong (soloist); Sarah Yankson

A player begins to do several warm ups before practicing piece. An excerpt of the warm up is selected, here is a 3 octave A major scale. You can hear the player go higher and higher in the octave. As octave got higher, noise isn't as strong so the sound is begin to be lost. You can also hear squeaks and the bow isn't in a continuous motion so you can hear pauses in between. Recorded on an iPhone 6s.

Chamber Orchestra of the Budapest Philharmonic Society Miklós Erdélyi

A triplet is a rhythmic feature in which a beat is subdivided into three. Triplets were a common feature of the galant style of the eighteenth century.

This excerpt includes 15 examples of triplets played by violins, both ascending and descending.

Ralph Couzens (Producer); London Mozart Players; Mathias Bamert (Conductor)

Violins play tremolo over moving ensemble line. Tremolo is a bowing technique for effect achieved by rapidly switching the direction of the bow while sustaining a specific pitch.

Ralph Couzens (Producer); London Mozart Players; Mathias Bamert (Conductor)

This typical string section of a galant/classical orchestra consists of first and second violins, viola, cello and bass. The string section of the orchestra plays an interlude between episodes of a movement. The first violins and violas play moving line in unison punctuated by second violins, cellos, and basses playing in unison.

Emilia Sharpe, Danny Malawsky, Eva Wetzel, Delphine Skene, Janet Orenstein

Sound recording of a quartet coaching on a movement of Tchaikovsky's 3rd string quartet in a rehearsal room at UNCSA. Recorded on an iPhone 5s.

Jose Olea Vico (recorder), Hana Kim (violinist)

Sound recording of Hana Kim tuning her violin.

Chris Camp, Ciompi Quartet

Sound recording of the finale to Duke University’s Ciompi Quartet playing of Schubert’s Quartet in A minor in the Blackwell common room. Recorded on Samsung Galaxy S6

Yutong Cao

The dramatic application of Ritardando and A Tempo. Added constant speed beats into recordings to identify the tempo change.

Yutong Cao and Professor Robinson

A professional violin player talk about the use of glissandos in both violin playing and opera singing. We think glissandos often represents crying, teasing and funny in music.

Ji-Eun Choi, Kate Pearson

Sound recording of Kate Pearson playing Meditation by Massenet on a violin Recorded on an iPhone 4

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