trumpet

The sound of a VCU student playing a tuba in a small courtyard outside the Performing Arts Center. Slight background noises of students and traffic may be heard. Recorded using iPhone 6s.

Sound recording of a student playing the first section of the "Reveille" for Trumpet. The song is being played on a beginning trumpet and mouthpiece, and was recorded on a ZoomH1 Recorder.

Esta grabación de sonido es dos extractos separados de la canción, "Richie's Jala Jala." Los primeros 26,5 segundos fueron la introducción a la canción. Esta parte demuestra el ritmo de Jala Jala, un ritmo creado por Roberto Roena inspirado en el ritmo de Mozambique. El Jala Jala era una variante del ritmo de Mozambique con el uso del cencerro. Sin embargo, la introducción de "Richie's Jala Jala" utiliza un piano para construir el ritmo de Jala Jala antes de incorporar el cencerro y la banda. Los siguientes 31 segundos son el primer verso de la canción, alabando a Jala Jala./ This sound recording is two separate excerpts from the song, Richie’s Jala Jala. The first 26.5 seconds were the introduction to the song. This part demonstrates the Jala Jala rhythm, a beat was created by Roberto Roena inspired by the Mozambique rhythm. The Jala Jala was a variant of the Mozambique rhythm with the use of cowbell. However, the introduction of Richie’s Jala Jala uses a piano to construct the Jala Jala rhythm before they incorporated the cowbell and band. The next 31 seconds are the first verse of the song, praising the Jala Jala.

Esta grabación de sonido es un extracto de la canción "Manteca", una colaboración de Dizzy Gillespie, Chano Pozo y Gil Fuller. Esta grabación es un ejemplo del jazz influenciado por la cultura latina. Gillespie quería añadir un percusionista cubano a su big band, y otro artista recomendó a Pozo. Pozo es el percusionista en la canción, y este fue el primer estándar de jazz basado rítmicamente en la clave. Los primeros 9 segundos de la canción dan un buen ejemplo de la sección rítmica de la banda y el latín se siente temprano en la canción. La siguiente porción de 27 segundos es la forma A, la sección principal de la canción, con los saxofones y trompetas junto con la sección rítmica, ejemplificando la mezcla de la sensación latina con el tono de la Banda Grande./ This sound recording is an excerpt of the song, “Manteca,” a collaboration by Dizzy Gillespie, Chano Pozo, and Gil Fuller. This recording is example of Jazz influenced by the Latin culture. Gillespie wanted to add a Cuban percussionist to his big band, and another artist recommended Pozo. Pozo is the percussionist in the song, and this was the first jazz standard rhythmically based on the clave. The first 9 seconds of the song give a good example of the rhythm section of the band and the Latin feel early in the song. The next 27 second portion is the A form, the main section of the song, featuring the saxophones and trumpets along with the rhythm section, exemplifying the mixture of the Latin feel with the Big Band tone.

Sound recording of Eric Jiang playing Rhythm Changes Etude No. 2 by John Racina on a trumpet Recorded on an iPhone 4

Sound recording of Eric Jiang playing the C major scale on a trumpet Recorded on an iPhone 4

This is a live recording of Jazz at the Mary Lou Center of Duke University. The sounds consists of call and response between the alto saxophone and trumpet.